
You know him as Emmett on Queer As Folk and as the voice of Steve in "Rick and Steve: the Happiest Gay Couple in the World". I know him from college, Boston Univeristy. However, don't try to put Peter Paige in a box- because he just won't keep still! Peter was one of the first actors to sign on to do the Hot in Hollywood benefit it's first year- when no one knew who we were! 2 years ago, his movie Say Uncle (that he wrote, directed, and starred in) hit theatres and he just completed lensing his next film, Leaving Bartow, this time writen by actor Kevin Sheridan. NOW, he's returning to the stage to do The History Boys at the Ahmanson which begins previews tonight and runs til Dec. 9th. Here's what Peter had to say about his career...
Michael Medico: After we graduated BU- why did you more to Portland and what work (plays) did you do there?
Peter Paige: I had been in New York for a while, working and partying and generally running myself down. I decided I needed a new start, so I moved to PDX and immediately began working on the city's equity stages. Best thing I ever did. Within a month, I had a couple years worth of work lined up. I ended up dong a bunch of the classics (Midsummer, The Rivals) and contemporatry work (Abundance, First Coulpe) as well as world premiers (Secret Agents).
MM: You once told me that after doing Queer as Folk, you were not just considered famous but you were "Gaymous". Do you find that most people in the industry relate to you only as a GAY actor?
PP: Hmm, How to answer this... Let's just say, it has created challenges. I now no longer get seen for roles I used to screentest for- wacky neighbors, things like that- though I must admit this probably has as much to do with being on a long-runing TV series as anything else. Sometimes you have to shake off the stink of it for a while before people can see you with fresh eyes.
MM: How long did you "live with"/write/develop your film "Say Uncle" before you shot it? What was your inspiration?
PP: I had started that script more than five years before we made it. Like most artistic endeavors, inspiration came in numerous forms- the personal (my own love for my godson) and the observational (my perception that we are being fed fear and hysteria from every quadrant at all times) were definitely the most relevant.
MM: What did you learn on your first film that helped you in directing you latest,"Leaving Barstow"?
PP: More than I can put in a dinky paragraph- but the most important thing I learned is that the difference between people who make movies and people who have scripts in thir drawers is that they make their movies. It's a difficult, sometimes daunting process, but far stupider people than us have accomplished far greater things. If you keep putting one foot in front of the other, you'll walk into a a few walls, but eventually you find the door.
MM:What was different directing your own film and someone elses?
PP: I think the major difference was just that I had to read Kevin's script a lot more often, until it was so ingrained in me that it felt like mine.

Peter at the first day of rehearsals for The History Boys (Photo by Craig Schwartz)
MM: Congratulations, you're about to open "The History Boys" at the Ahmanson. When was the last time you did a play? Are you nervous?
PP: The History Boys starts previews today, so yeah, I'm nervous. Mother-fucking terrified. But I will say this- it's been a long time since a job frightened the hell out of me and that's a good thing.
MM: How's your British accent for the show?
PP: It's pretty good. I stilll get notes from the dialect coach, but I think Cluadia Hill [our college voice an speach proffessor] would be proud.
MM: Who or what do you think is hot in Hollywood?
PP: The Green movement, the writer's strike (agian, even though it terrifies me), Project Runway, Tell me You Love Me, Ryan Gosling
MM: And the most important question...m&m's plain or peanut?
PP: Peanut- I need the protein.
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