One of the many performances taking place at the Main Stage belongs to solo artist (and US Weekly fashion contributor) Ricky Rebel whose 2013 single, “Geisha Dance”, spent 10 weeks on the Mediabase chart that powers On Air with Ryan Seacrest. Now, he’s releasing “The Blue Album”, mixed by Claudio Cueni (JLo), after recently playing with Grammy-winner Mya. He can be spotted on stage alongside Kelly Mantle (RuPaul's Drag Race) in two appearances throughout the night.
Also appearing at the Carnaval? Countless scantily-clad boys and girls who will be looking for tricks that will treat them well into the wee hours of Saturday morning.
There are Halloween parties...and then there's Halloween Havoc, one of L.A.'s annual soirees that's been known to inspire elaborate costumes, killer tunes, and countless morning-after status updates.
Hosted at a different private home every year, the invite-only ocassion features a guest list that's as mysterious as the punch that is rumored to be served out of a giant smoking cauldron which usually dries up around midnight...and features some "festive" side effects.
The 2014 online campaign seems to be taking the testimonial approach, using alleged quotes from past partygoers. And it looks like this year promises much of the same:
And then there's this one:
And this one, which makes a pretty damn big claim (sorry, West Hollywood):
Good luck finding out where this year's debaucherous festivities will be taking place...
And if you are lucky, maybe we'll see you there this weekend!
Make sure to report back to us (@HotterInHwood) with a tweet using #Havoc14.
But if you're still not sold on the idea of a very meta web series about actor Ryan Hansen (who played Dick Casablancas on Veronica Mars) trying to produce his own detective show, then episode 2 of the spinoff just might help you reconsider watching.
Those who have been on Team Logan since the first season of Veronica Mars will enjoy the ample amount of screentime dedicated to actor Jason Dohring and his unbelievably beefed-up bod (not to mention his charming comedy chops). Like here:
The horror genre gets delightfully skewered in director-choreographer James J. Mellon's Scary Musical The Musical, an electrifying production that gleefully flips every slasher film trope on its head (now running through November 9 at the NoHo Arts Center).
The scene: Vera Miles High School. The story: someone's slicing and dicing the members of the school's drama club before their opening night extravaganza. Meanwhile, a patient has escaped from a nearby mental institution (naturally). Horror enthusiasts may recognize a similarity in this past summer's indie satire Stage Fright, but unlike that letdown of a slasher, this briskly paced musical (at a lean, intermission-free 90 minutes) delivers all the goods on top of a kickass pop-rock soundtrack, thanks to music and lyrics by Richard Hochberg and Michael Paternostro.
With characters named Leeza Courtney Fox, Norman Hates, Freddy Louissier, Jason Cravin, Jamie Lee Leigh, and Carrie Beige, horror fanatics will get a kick out of all of the nods to the genre classics and jump at some of the impressive special effects that jolt the audience throughout the show.
Playing Norman Hates is a sufficiently creepy August Emerson, who could very well be an Edward Gorey-drawn character come to life. With a mop of jet-black hair and a ghostly pale complexion, Emerson delivers lines with a psychotic energy (the dude also has a killer voice - check out his showstopping solo, "Mother"). And then there's Colorado native Keir Kirkegaard, whose rippling abs nearly steal a couple of scenes. But what really stands out is Kirkegaard's uncanny physical and vocal resemblance to superstar Justin Timberlake (I wouldn't be surprised if the actor moonlights as an impersonator).
Several of the cleverly written songs deserve a bigger stage, but under some tight and smart direction, they soar inside the 99-seat venue. The opening number, "Killer in the House," perfectly sets up the deliciously devious tone while "High School Can Be Murder" is an anthem that not only wittily introduces our heroes and heroines, it shines as a theme song of Joss Whedon-esque proportions -- it's like a lost track from Buffy the Vampire Slayer's "Once More With Feeling" songbook. And finally, "Baby Let Me Come Inside" is the on-the-nail, pun-tastic performance it sounds like, admirably carried out by Kirkegaard and actress-dancer Jane Papageorge.
The only tune that comes close to steering the musical terror train off the track is "Out of Africa," a number that's a bit heavy on exposition and light on focusing on the themes at hand. But no matter: by the time the blood hits the fan in the third act's zany climax, you'll be glad you hopped aboard this superfun crazy train.
And just who is the killer? Thanks to an interactive component -- the audience gets to live-tweet and vote for their suspect -- there isn't one definitive answer. (Shades of 1985's Clue, anyone?)
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